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Posts Tagged ‘Alice in Chains

Bonus List: Top 2 Rock Albums of 2013

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Mark 2013 as the year I became a fan of Clutch with Earth Rocker and the year Alice in Chains continued to keep radio rock tolerable with The Devil Put Dinosaurs Here (seriously, this disc gets a ton of play on the radio in these parts at least). While both albums could fall under the category of metal – and were reviewed on this very site – they are more rock than metal.

Alice In Chains – The Devil Put Dinosaurs Here

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Alice in Chains is on a roll with its post-Layne Staley era releases. In fact, my biggest complaint for The Devil Put Dinosaurs Here was it felt like William Duvall wasn’t allowed to take charge as often as I would like to see (check out “Phantom Limb”/”Hung on a Hook” I want more of this!). Jerry Cantrell continues to deliver as always though in a proper balancing of trademark grooves and melancholic acoustic numbers.

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Written by Eric

January 4, 2014 at 8:44 pm

Album Review: Alice In Chains ‘The Devil Put Dinosaurs Here’

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AliceInChains_TheDevilPutDinosaursHereAlice in Chains is a tough band to impartially review. There is the old iteration of the group, featuring the late Layne Staley on vocals, which released all the classic records – Facelift, Sap, Dirt, Jar of Flies and the lesser, but still solid, Alice in Chains. This catalog is untouchable in many fans’ minds who believe there is no Alice in Chains without Layne Staley.

Then there is what could be referred to as the coping/hibernation phase of the band, or the Jerry Cantrell solo albums, Boggy Depot and Degradation Trip, the latter record being an awesome reflection back on Cantrell’s career and the passing of Staley. It’s a monster in its own right and one hell of a double-album.

Which brings us to Alice in Chains circa 2013, featuring Jerry Cantrell in full-on frontman mode and adding William DuVall on backing guitars and vocals (with some standout leads peppered throughout). At this point, Alice in Chains is very much Cantrell’s band (though there are plenty of core members still around). So we get sort of a blurred mixture of his solo efforts without the raw emotion Staley added to the mix

Black Gives Way to Blue was the huge 2009 comeback record, and while perspectives (and reviews) were a bit biased, this was one of the best returns to form in quality for any reuniting band. Alice in Chains in 2009 was still foreboding and dark, but also more cleanly produced and polished, which could be good or bad depending on your perspective. Staley was declining rapidly towards the end of his career and this album was easily better than the band’s last self-titled record.

And now, in 2013, the at-first strangely titled The Devil Put Dinosaurs Here marks the next point in Alice in Chains’ career. The album does not grab the listener the same way Black Gives Way to Blue did, but there is no way it could. While the previous release had some amazing songs (“Check My Brain,” “Last of My Kind,” “A Looking in View,” the list goes on), the follow-up record is a more complete listening experience due to the band no longer having to prove it can still move forward without Staley on vocals.

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