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Posts Tagged ‘The Dillinger Escape Plan

Best Metal Albums of 2016

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All right! Back on track. Here is my “Top 10” list for 2016.

10. Borknagar – Winter Thrice

bornagar_winterthrice

I’ll admit I never really even discovered progressive black metal supergroup Borknagar until this year. And I was even late to the game on listening to Winter Thrice, but I was totally on board the minute I hit play on epic opener “The Rhymes of the Mountain.” And if black metal isn’t your thing, this album features a heavy dose of fantastic clean vocals. This is also a great listen in the cold of January and February.

9. Meshuggah – The Violent Sleep of Reason

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2012’s Koloss was in my top 10 from that year and 2016’s The Violent Sleep of Reason continues the trend. It’s at times a harsher, less structured listen than Koloss and the music takes a few spins to digest. The album is driven by Dick Lovgren’s bass and Thomas Haake’s drums (the duo get the majority of songwriting credits here), and because of this, Meshuggah’s The Violent Sleep of Reason feels fresh and full of groove.

8. Testament – Brotherhood of the Snake

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If you found Metallica’s Hardwired…To Self Destruct to be enjoyable, but a little too long-winded in the back half, then Testament’s Brotherhood of the Snake is the album for you. It’s a 45 minute thrash thrill-ride that demands repeat listens. In the words of Chuck Billy “smoke ’em if ya got ’em.” Preach on, brotha.

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Written by Eric

December 31, 2016 at 2:56 pm

The Heavy Metal Review’s Top 10 Metal Albums of 2013

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Another year down and a pretty memorable one in terms of music released. While I haven’t been keeping up-to-date with the reviews, it still feels right to once again share the albums that stuck with me the most in 2013.

10. Chimaira – Crown of Phantoms

Crown of Phantoms

Chimaira is one of those bands metal elitists (and the review section of Decibel magazine) always seems to hate on year after year, passing them off as somewhat generic tough-guy music that spawns the macho crowd you don’t need at a metal show. However, I was a big fan of 2009’s The Infection and now 2013’s Crown of Phantoms. Mark Hunter delivers his usual brand of guttural vocals which you probably know whether or not you like at this point, but it’s guitarist Emil Werstler who gets weird on each track to keep things feeling fresh with fun riffs, fills and squeals. And hey, it’s also a great weight-lifting album!

9. Evile – Skull

Skull

Wild card! I have followed UK thrashers Evile’s music over the years and always thought they were the closest thing we have to the good ‘ol days of Metallica, but the band’s music just seemed to be missing that lasting power the Bay Area thrashers had in their heyday. So when I purchased Skull via Amazon MP3 I was expecting sometime highly listenable, but not all that memorable. This is not the case at all. If you are looking for an example, go on YouTube and listen to the song “Head of the Demon.” The entire album is like a mix of Slayer meets Testament meets Metallica thrash goodness. Give it a spin!

8. Skeletonwitch – Serpents Unleashed

Serpents Unleashed

Skeletonwitch puts on a mean live show, but the band has never fully managed to capture the full experience of the blackened thrash stage goodness in a studio recording – until now. Serpents Unleashed is a quick and fierce album that never outstays it’s welcome. It also has some of the best metal bass production of the year, with every galloping rhythm and slide played by Evan Linger coming in through the speakers.

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Album Review: The Dillinger Escape Plan ‘One of Us is the Killer’

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thedillingerescapeplan_oneofusisthekillerIt took me 10 years and one live concert to finally “get” The Dillinger Escape Plan. No I was not continuously listening to the band in this time, trying to understand the appeal of the music, but rather I didn’t really give the group a fair shake. That all changed when I heard 2010’s Option Paralysis and later saw the band live at Knotfest in 2012 (there aren’t many bands out there who put so much energy and emotion into a live performance).

To me, Option, was the perfect mix of melody and aggression (and admittedly it is the most melodic Dillinger album to date). I then went back and explored the group’s back catalogstarting with Ire Works and Miss Machine and finally getting into the group’s roots with Calculating Infinity (which is excellent in its raw appeal, but the weakest album in the band’s catalog).

This left me curious, what would Dillinger’s 2013 follow-up One of Us is the Killer sound like? The answer is a mix of the more intense moments on Ire Works (and even a hint of Calculating Infinity, blended with a scaled back version of the melody found on Option Paralysis). Maybe this album was released at the right point in my musical experience, but it fully delivers the sound I was waiting to hear from the band.

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Written by Eric

June 5, 2013 at 9:43 pm